http:\/\/www.ihs.uw.edu.pl\/spis-pracownikow\/grazyna-jurkowlaniec\/<\/a><\/span><\/span><\/p>\nProfessor<\/span> at the Institute of Art History, University of Warsaw (M.A. 1995, Ph.D. 2000, habilitation 2009). She specializes in art and artistic patronage between the thirteenth and sixteenth century in Europe.<\/span><\/span><\/p>\nWithin the Reframed Image research project she focuses on the Polish recipients of Italian engravings and the illustrations of prints produced in the Kingdom of Poland and the Duchy of Prussia in the second half of the sixteenth century.<\/span><\/p>\nSelected publications:
\n<\/span><\/span>\u2013 The Agency of\u00a0Things in Medieval and Early Modern Art. Materials, Power and Manipulation<\/em>, eds Gra\u017cyna Jurkowlaniec, Ika Matyjaszkiewicz, Zuzanna Sarnecka, New York: Routledge 2018
\n<\/span><\/span>\u2013 Geneza i recepcja drzeworyt\u00f3w na kartach tytu\u0142owych kaza\u0144 Lutra o sakramentach z 1519 roku, in: Rocznik Historii Sztuki<\/em> 42 (2017): 21-42
\n<\/span><\/span>\u2013 Confessional Images? The Luther Bible and Sixteenth-Century Biblical Illustrations in Poland, in: The Luther Effect in Eastern Europe: History, Culture, Memory,\u00a0<\/em>eds Joachim Bahlke, Beate St\u00f6rtkuhl and Matthias Weber, Berlin: DeGruyter Oldenbourg, 2017, 197-209
\n<\/span><\/span>\u2013 Sprawczo\u015b\u0107 rycin. Rzymska tw\u00f3rczo\u015b\u0107 graficzna Tomasza Tretera i jej europejskie oddzia\u0142ywanie<\/em> (Cracow: Universitas 2017)
\n<\/span><\/span>\u2013 An Encyclopaedia of the Catholic Faith dedicated to Mark Sittich von Hohenems IV: an unknown engraving by Natale Bonifacio and Gijsbert van Veen republished by Giacomo Lauro,\u00a0in: Barockberichte<\/em> 64 (2016): 69-81
\n<\/span><\/span>\u2013 (with Maria Cr\u0103ciun) Visual cultures, in: A Companion to the Reformation in Central Europe<\/em>, eds Howard Louthan and Graeme Murdock (Leiden: Brill, 2015), 412-450 \u2039Brill\u2019s Companions to the Christian Tradition, 61\u203a<\/span><\/span><\/p>\n
\nINVESTIGATORS<\/span><\/strong><\/span><\/p>\n
\nJoanna Sikorska<\/strong> Ph.D.<\/span><\/p>\nCurator of Etchings and Drawings Cabinet at the National Museum of Warsaw, guest lecturer at the Institute of Art History, University of Warsaw.<\/span><\/p>\nHer Ph.D. thesis focused on the can reliquaries, a particularity of the Polish gold-smithery of the Late Middle Ages and the Early Modern Times. Currently, her research interests include printmaking of the fifteenth and sixteenth centuries, the reception of prints and their relationships with other artistic media. She co-authored exhibitions, among others Albrecht D\u00fcrer. Response to His Prints in the Sixteenth Century <\/em>(National Museum in Warsaw, 2002); Masters of the Pastel. <\/em>From Marteau to Witkacy <\/em>(National Museum in Warsaw, 2015\u20132016).<\/span><\/p>\nSelected publications:
\n<\/span><\/span>\u2013 Odbiorcy grafiki w Kr\u00f3lestwie Polskim. Pr\u00f3ba charakterystyki zjawiska (XV wiek \u2013 pocz\u0105tek XVI wieku), in: Procesy przemian w sztuce \u015bredniowiecznej<\/em>, eds Rafa\u0142 Eysymontt, Romuald Kaczmarek (Warsaw: Stowarzyszenie Historyk\u00f3w Sztuki, 2014), 269-277
\n<\/span><\/span>\u2013 Schongauerowskie echo w Herbarzu Marcina Siennika \/ Schongauer\u2019s echo in the Polish Herbal of 1568 by Marcin Siennik, in: Rocznik Muzeum Narodowego w Warszawie<\/em> \/ Journal of the National Museum in Warsaw<\/em>, NS 37 (2012): 101-110
\n<\/span><\/span>\u2013 Relikwiarze puszkowe w Polsce<\/em> (Warsaw: DiG, 2010)
\n<\/span><\/span>\u2013 Miedzioryt XV wieku i jego odr\u0119bno\u015b\u0107 w sztuce p\u00f3\u017anego \u015bredniowiecza: problemy badawcze, Biuletyn Historii Sztuki<\/em>, 80 (2008): 113-139<\/span><\/span><\/p>\n
\nMarcin Bogusz <\/strong>M.A.<\/span><\/p>\nHistorian (M.A. at the Institute of History, University of Warsaw 2012; studies at the Centre d\u2019\u00c9tudes Sup\u00e9rieures de Civilisation M\u00e9di\u00e9vale, Poitiers 2009\/2010) and art historian (M.A. at the Institute of Art History, University of Warsaw 2017). Since 2012 Ph.D. candidate at the Faculty of History, University of Warsaw, where he prepares his Thesis Wyposa\u017cenie graficzne wczesnych druk\u00f3w krakowskich (1475\u20131547)<\/em> advised by Professor S\u0142awomir Gawlas and Dr. Gra\u017cyna Jurkowlaniec.<\/span><\/p>\nHis research within the Reframed Image <\/em>project focuses on the illustrated books printed in Cracow and printed images mentioned in the testaments of Cracow citizens in the second half of the sixteenth century.<\/span><\/p>\nPublications:
\n<\/span><\/span>\u2013 Kto mo\u017ce zosta\u0107 patronem opactwa? Kilka uwag o budowaniu pami\u0119ci historycznej w opactwie Saint-Denis w XII wieku, in: Zeszyty Naukowe Towarzystwa Doktorant\u00f3w Uniwersytetu Jagiello\u0144skiego. Nauki Spo\u0142eczne<\/em>, 12\/1 (2016): 31\u201356
\n<\/span><\/span>\u2013 Sny i wizje w Historia Karoli Magni et Rotholandi, in: Sen, marzenie, za\u015bwiaty w literaturze i kulturze<\/em>, vol. II: Kultura<\/em>, eds P. Potera\u0142a, K. Ossowska and M. Sadowski (\u0141\u00f3d\u017a 2017), 35\u201354 \u2039Analecta Literackie i J\u0119zykowe, 7\u203a<\/span><\/span><\/p>\n
\nMagdalena Herman <\/strong>M.A.<\/span><\/p>\nPh.D. candidate at the Faculty of History, University of Warsaw, where she previously gained an M.A.in History of Art (2014); Principal Investigator of the research project The print collection of Jan Pon\u0119towski in the Jagiellonian Library in Cracow<\/em> (Preludium 11, 2016\/21\/N\/HS2\/02659). Her current doctoral research focuses on the history of print collecting and functions of printed images in the second half of the sixteenth century. She also works on the set of woodblocks which was continuously copied and used to illustrate Cracovian prayer books from the sixteenth to eighteenth century.<\/span><\/p>\nPublications:
\n<\/span><\/span>\u2013 Marzenna Ciecha\u0144ska, Magdalena Herman, Dorota Dzik-Kruszelnicka, A Collection of 18th-century Chinese Wall Coverings at the Wilan\u00f3w Palace, Poland. A Historical, Technological and Conservation Research Project, w: Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700-1900). Lacquerware, Porcelain, Paper & Wall Hangings, eds\u00a0Gabriela Kirst and Elfried Iby (Vienna: B\u00f6hlau, 2017) \u2039Konservierungswissenschaft. Restaurierung. Technologie, 15\u203a
\n<\/span><\/span>\u2013 \u201eOsobista wizja\u201d Stanis\u0142awa Herakliusza Lubomirskiego w ko\u015bciele Bernardyn\u00f3w na\u00a0Czerniakowie, in: Arty\u015bci znad jezior lombardzkich w nowo\u017cytnej Europie. Artisti dei laghi lombardi nell\u2019Europa moderna<\/em>, eds Mariusz Smoli\u0144ski and Renata Sulewska (Warsaw: Muzeum Pa\u0142acu Kr\u00f3la Jana III w Wilanowie, Instytut Historii Sztuki Uniwersytetu Warszawskiego, 2015), 133-141
\n<\/span><\/span>\u2013 Ad limina Apostolorum? Podr\u00f3\u017c Stanis\u0142awa Herakliusza do Rzymu w 1687 roku, in: Barok. Historia \u2013 Literatura \u2013 Sztuka<\/em>, 20\/2[40] (2013): 79-95
\n<\/span><\/span>\u2013 Portal g\u0142\u00f3wny ko\u015bcio\u0142a Dominikan\u00f3w w Krakowie. Zniszczenia i\u00a0restauracje w\u00a0XIX wieku, in: \u00a0Sztuka w kr\u0119gu krakowskich dominikan\u00f3w<\/em>, eds\u00a0Anna\u00a0Markiewicz, Marcin\u00a0Szyma and Marek Walczak (Cracow: Esprit, 2013), 347-366 \u2039Studia i \u0179r\u00f3d\u0142a Dominika\u0144skiego Instytutu Historycznego, 13\u203a<\/span><\/span><\/p>\n
\nMarek P\u0142uciniczak <\/strong>M.A.<\/span><\/p>\nArt historian (M.A. University of Warsaw), Head of the Education Department of the National Museum in Warsaw. Since 2015 Ph.D. candidate at the Faculty of History, University of Warsaw, where he writes his thesis on copies in artistic historiography and collecting practices in the Northern Europe of the sixteenth and seventeenth centuries, supervised by Professor Antoni Ziemba. His scholarly interests include early German printmaking, its function and reception in other artistic techniques.<\/span><\/p>\nPublications:<\/span><\/span>
\n\u2014 Projekty rozbudowy Muzeum Narodowego w Warszawie na przyk\u0142adzie wybranych koncepcji z lat 60 i 90. XX wieku, in: Rerum Artis. Rocznik Student\u00f3w Historii Sztuki Uniwersytetu Warszawskiego<\/em> 6 (2011): 6\u201339
\n<\/span><\/span>\u2013 W kr\u0119gu modernistycznej utopii. Plany rozbudowy Muzeum Narodowego w Warszawie mi\u0119dzy 1945 a 1972 rokiem, in: \u201eNa wieczn\u0105 rzeczy pami\u0119\u0107…\u201d Gmach Muzeum Narodowego w Warszawie<\/em>, exh. cat., ed. Piotr Kibort, Warsaw 2017, 76-93<\/span><\/span><\/p>\n
\nCOLLABORATORS<\/span><\/strong><\/span><\/span><\/p>\n
\nPiotr Kopszak <\/strong>Ph.D.<\/span><\/p>\nCurator in the Polish Art Collection of the National Museum in Warsaw in 1991\u20132010 and publisher. His main field of research is Polish nineteemth century painting, especially the oeuvre of Olga Bozna\u0144ska.\u00a0 Piotr Kopszak curated numerous exhibitions devoted to Polish painting c. 1900 (recently Symbolism in Poland and Britain<\/em>, London, Tate Britain, 2009, with Alison Smith and Andrzej Szczerski); he wrote his Ph.D. dissertation on art criticism of Teodor de Wyzewa and published several popular books on Polish artists (Wojciech Gerson, Jan Stanis\u0142awski, Teodor Axentowicz and Olga Bozna\u0144ska) as well as translated\u00a0 to Polish Walter Pater’s Renaissance<\/em>.<\/span><\/p>\nIn 2012-2014 he was a coordinator of the EU project Partage-Plus at the National Museum in Warsaw. He is in charge of the online collection of the National Museum in Warsaw; recently collaborated with various digital humanities projects: Poezja na marginesie cywilizacji. <\/em>Degradacja i odrodzenie tw\u00f3rczo\u015bci poetyckiej w latach 1864\u20131894<\/em> (Poetry on the Margin of Civilisation. Degradation and Rebirth of Poetic Creativity in 1864\u20131894; https:\/\/pnamc.ehum.psnc.pl\/) and Nowy Korbut. <\/em>Adam Mickiewicz bibliografia podmiotowa<\/em> (Nowy Korbut. Adam Mickiewicz Subject Bibliography). Together with Ewa Walasek he runs Wydawnictwo Kle publishing house (http:\/\/okle.pl).<\/span><\/p>\n
\nAleksandra Fedorowicz-Jackowska \u00a0<\/strong>M.A.<\/span><\/p>\nPhD candidate at the Institute of Art of the Polish Academy of Sciences, responsible for web graphic design of the Reframed Image project database and website.<\/span>","protected":false},"excerpt":{"rendered":"PRINCIPAL INVESTIGATOR Professor Gra\u017cyna Jurkowlaniec http:\/\/www.ihs.uw.edu.pl\/spis-pracownikow\/grazyna-jurkowlaniec\/ Professor at the Institute of Art History, University of Warsaw (M.A. 1995, Ph.D. 2000, habilitation 2009). She specializes in art and artistic patronage between the thirteenth and sixteenth century in Europe. Within the Reframed Image research project she focuses on the Polish recipients of Italian engravings and the illustrations … <\/p>\n
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